SPOILER WARNING

“Breaking Bad” is finally over, a vehement series so unpredictable and outrageously shattering in some events that those who seized the episodes were real woundingly upset, or simply exaggerated to the fact that they were rooting for a psychotic criminal that they actually wanted the series to arrive at an end.

Nothing utters concern like a passionate and careful father, who’s real passion was for his family, the love that was unending from start to finish, though the pain he forced them through was unforgettable. The man was Walter White, and he was a phenomenon and a wonder, a memorable man who was such a completely well crafted character, possibly one of the most growing and indisposed characters to ever be remembered in the elongated history of television. The popular actor Bryan Cranston played Walter, and he was dying from cancer, so he hooked up in a menacing hobby to help raise money for his family, which was by producing methamphetamine.

Walter White began as a shady, weak, and alarmed chemistry teacher. His self-assured brother-in-law was a DEA agent, and Walter self-interestedly used him as an advantage to acquire suitable information. The man’s name was Hank, and Walter decided to tag along with him, situating an act to prepare interested, as they tracked down some drug dealers, which is when Walter discovered Jessie, his old chemistry student that he effortlessly failed back when he was in high school. From that point on, Walter knew he found himself an experienced partner.

The last half of Season Five for “Breaking Bad” was grim, invitingly raw from start to finish, unattractive yet intense art at the finest capacity. The tolerant and obsessed Hank discovered Walt, and by this time, Walt was the most well wanted, naturally fear-provoking man in the drug industry, with his alter ego as Heisenberg, and everybody knew that name, but nobody identified the bald, innocent, and casual Walter White to be the brilliant subject behind everything.  He was the man that annihilated the dangerously lasting businessman and drug lord, Gustavo Fringe, in Season Four at the shelter home, exercising Tio Salamanca to organize his dirty work by stashing a crafted bomb under his wheelchair for a sight of redemption, as he rang the sketchy sounding bell numerous times, triggering the bomb to explode.

Hank, with all of his precise and specific evidence, was miserably attempting to expose Walt, but nothing he could organize would prove Walt was Heisenberg, so Hank located the disturbed Jessie, and during the extended time length, Jessie had excessive hate for Walt, and he would do anything to expose him and his threatening ways.

Walt operated with controlled villains, Neo Nazis, all shamelessly corrupt, true evil in an already dark art. They are all demented fiends with influential connections. The youngest was Todd, the spot-on, gritty and crooked methamphetamine cook of the bunch. He was a complete sociopath, with a lack of sanity to his name. He remains calm, despite all of the horrors he is consumed by, which is a factor to prove he is completely insane, and he is a character who is unable to even question his sanity. He’s murdered his victims with no specific emotion to his face, especially the scene where he gun downed a simple nine-year-old child, waving to the crew in the desert. The lead man for the Neo Nazis is Jack, who has a dark inky Nazi symbol tattooed on his neck, and is real threatening.

Hank finally discovered Walt with his current partner Jessie. They drove out to Walt’s coordinates, scratched out as timeworn lottery tickets, but before anything horrific could happen, the Neo Nazis arrived along with the confused DEA agents, where Hank and his partner Gomez were shot and killed by the dangerous clan. They forcibly held Jessie captive, like he was a nonresistant slave, and Walt traveled to New Hampshire, hiding his identity, considering deeply for ways of revenge. After a complete year of suffering, starvation, and depression, Walter White finally found the courage to track down his family one last time, and eliminate the Neo Nazis. The police began to track Walt’s steps after a purposeful phone call, and he arrived back in Albuquerque, as he was able to say his sorrowful goodbyes to his wife Skylar, and his baby daughter, Holly.

Walt contacted his significant associates, where he acquired a heavy M60 Machine Gun. Using his weighty and clear abilities, he crafted the gun in a distinct way to rotate it in the trunk of his car, triggered simply from his car keys.

Jack eagerly invited Walter into his club-looking living room, where all of the clan resided. They were planning to kill Walt for the expired mind state of Todd, but nothing strategic always occurs in the series for the former enemy. When the tattered and beaten Jessie arrived, Walt instantaneously attacked him, tackling him to the ground. The Neo Nazis began to laugh repulsively, but when Walt triggered the M60 Machine Gun to fire through the house with his car keys, the majority of the Neo Nazis were brutally shot and slaughtered, except for a dazed Todd and a wounded Jack, who were then dealt with. Walt was already shot with a hidden and deep wound in his lower abdomen. Both Jessie and Walt willingly glanced at each other with one last sign of a devoted relationship, almost like a final resistance of a father and son, and they slightly nodded, then parted ways. With a gloomy yet traditional “Breaking Bad” type of ending, everything was satisfying and vaguely depressing. Walt tumbled over, glaring at the camera, where he peacefully passed on. He died on his own terms, as the entire length of the series was demonstrated to explain the power of Walter White, and how he ran a frantic empire, and how one man can alter from good to evil, but remain with the same topic throughout the entire series, beginning with his family, but ending with his art.

Vince Gilligan, a genius to never take a real Chemistry course in his lifetime, created “Breaking Bad”. The cast was incredible, and because of the ability to be unpredictable, with a style of writing that will be properly studied for years to come, Vince Gilligan simply created greatness. “Breaking Bad” is a television show that will arrive in history as one of the most memorable and unsurpassed shows ever. “Breaking Bad” ended with extreme amounts of popularity; surprisingly it began as an underground expression. Throughout the course of the performance, things remained calm, but were suspenseful in the method. The conscious realities were beyond abnormal for television, with sensitive raw hooks and endings for detailed seasons; the viewers rooted for a bizarre criminal, who was based around a stand your ground type of concept. “Breaking Bad” was complex, and everything about the show was of a cutting-edge style and it was beautifully produced.